Joseph Melvin Kreines

Born on February 3, 1936 in Chicago, Illinois
Departed on July 31, 2025 in Melbourne, Florida

It is with a profound sense of sadness that I report, today, July, 31, 2025, 11:10 AM, the passing of our beloved friend, mentor and colleague, Joseph Melvin Kreines. He was 89 years old.

A giant has passed from us. Joe, for those who are not aware, is a member of the Florida Bandmasters Association Roll of Distinction. That honor is unusual due to the fact that Joe never held a band director position anywhere!

However, it is safe to say no one rehearsed and performed more clinics for high school, middle school and college bands in the state of Florida than Joe. His knowledge of literature was nonpareil. His ability to assess the needs of a group was preternatural. He was an exciting and engaging conductor who knew how to make music come alive to every level of ensemble with which he worked.

His legacy will live on in the many compositions he wrote and transcribed for bands, solos and ensembles. His reference book on literature for concert band is invaluable to directors at every level.

He was a great teacher of students. He was an even greater teacher of teachers. His six decades of working with Florida bands had a universal effect on music-making in our schools. He will be greatly missed by all who knew and worked with him.

Joe was not a religious man. Therefore, there will be no formal funeral/memorial service. In Brevard, we have recently organized a memorial concert for Joe on October 12, 2025, at Park Avenue Baptist Church, Titusville, FL. Please feel free to contact Jim Bishop, [email protected], if you wish to have more information.

Thank you to the many people who wrote to Joe, visited Joe and contacted Jim to relay kind words to Joe. He valued your support more than you can know.

Rest in power, Joe.

Guestbook Entry

 
 
 
 
 
 
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6 entries.
Frank Boros from Boca Raton wrote on August 9, 2025:
I saw Mr. Kreines' obituary today purely by accident. I was speaking with Mr. Clark and Ms. McCorkle (now Clark) earlier today and they mentioned they recently moved to Merritt Island. The two of them were prominent at USF Summer Music Camp and the college of music circa late 70's and both knew Joe well. I told them Joe lived nearby and they should visit. When I looked up his address is when I saw the obituary. The last time I saw Joe was when he asked me to play Bass Clarinet for one of his reading bands during the 90's. It was one of the most proud moments of my life to be performing previously unperformed works while under Mr. Kreines' direction. And this was long after not only high school but also after my time in the service followed by college graduation years later. The world of music lost a giant, to say the least. RIP.
Jeremy & Lisa Williamson from Winter Springs wrote on August 4, 2025:
Your musical impact, influence, and reputation on us will not be forgotten!
Aaron Lefkowitz from Orlando wrote on August 4, 2025:
Joe could be described as music personified - almost everything he did in life was in pursuit of raising musical standards and spreading awareness of "good" music (symphonic literature) in the world. His home was a musical shrine, with thousands of scores and tens of thousands of recordings (he would honor a composer's birthday by listening to their music all day). His legacy lies in multiple arenas: the thousands of musical educators that have learned from him and passed on knowledge and love of music to the next generation, the performers that he inspired having played under his baton, and the hundreds of transcriptions and compositions that he has written that are played around Florida, the US, and the world. He came to Florida in the 60's (I think it was 1964) and began as a clinician at Winter Park High School, working with their band and orchestra, as well as the Florida Symphony Youth Orchestra. As word spread about this energetic conductor that had a knack for making ensembles sound better, he spent the next 50 years visiting a majority of the middle and high school band programs around Florida. He would hang out at Solo & Ensemble festivals with a shirt pocket full of checks and cash - he wanted to be available for any student whose accompanist did not show up, to sight-read their solo accompaniments so that they can be adjudicated. He would always say, "I might not hit every note, but I will stay with you and be musical. Just pay me whatever, or not." I have so many stories about Joe, but was hoping to keep this brief. It was difficult seeing him these last couple of years, and am glad that he is finally at peace. Joe, you were a rare gem in our musical community, and will be missed by so many.
Christopher Wojahn from Palm Bay wrote on August 4, 2025:
Joseph Kreines has been—and was—one of the most important, profound, influential, and inspirational musical mentor in my life. I first came to know him as the conductor of the Brevard Symphony Youth Orchestra’s Symphonic Orchestra, where I was blessed to serve at the back of the 2nd violin section during his final two seasons, 2007–2008 and 2008–2009. It is truly hard to put into words the depth and magnitude of his impact on my musical development. It was he who, with a kind of reverent ceremony, handed me the keys—opened the door—to some of the greatest, grandest, most wonderful, spectacular, wild, magical, mystical, spiritual, emotionally draining, fulfilling, energizing, thrilling, powerful, and life-changing music ever composed. The significance of each and every piece he brought into my life was monumental. These works reached deep into me, striking a level of transcendent personal resonance that permanently altered the course of my musical journey. They ignited a kind of quasi-religiosity in me—a divine spark behind my beliefs, goals, desires, curiosities, and ambitions. That spark continues to drive me toward the same pursuit: a lifelong search for love, wisdom, and wonder—the things that make us truly human. I still remember every piece we played under his expert, uncompromising interpretations—readings that shaped the very foundation of my love for classical music, my musical identity, and my path as a violinist. For that, I will always be grateful. He remained—and remains—a definitive source of knowledge and inspiration. From the first downbeat of any rehearsal, his command of the music radiated pure authority. He waved and flapped his arms on the podium like a man possessed, often shouting—spitting in sheer passion—as he scolded us not to count with our ears. Every rehearsal was a masterclass in musicianship, ensemble listening, and artistic integrity. Mr. Kreines’s scope—his reach—was immense. His impact spans generations. To all my musical colleagues who shared in his orbit, we received the very best kind of guidance: demanding, nurturing, loving, human. The last BSYO concert I played under his direction was the world premiere of Mark Piszczek’s Variations for Orchestra (The Song Of Arion). That performance stands as a testament to Kreines’s influence—bringing together musicians across boundaries to create something new, something lasting. His legacy continues through the lineages he forged and the multidimensional web of musical experience he helped build. His influence followed me into my studies at BCC, where he occasionally made surprise visits—taking over rehearsals for Mr. James Bishop’s Chamber and Community Symphony Orchestras. One day, he invited me to his home in Palm Bay to listen to music. I never questioned the invitation. It was a sacred opportunity—to sit beside a wise, warm master and soak in his insights. That day, he played me Bartók’s String Quartet No. 4 for the first time, handing me the score to follow along. I was absolutely blown away. For me this was the first time that I Have Been Musically Assaulted By Joseph Kreines. It was the most insane, wild, terrifying, and awe-inspiring piece of music I’d ever heard. It still shakes me to my core. On another visit, he gifted me a full CD collection of William Byrd’s harpsichord music. I’ll admit, I was perplexed—it challenged my concept of what “good” music was. But I knew these were treasures: artifacts from musical history passed down with reverence. I was also lucky to attend world-class chamber performances for the Melbourne Chamber Music Society —sitting right by his side for what may have been once-in-a-lifetime live experiences. And I’ll never forget his back room, where the couch sat beneath the most awe-inspiring wall of CDs I’d ever seen. That moment inspired me to start building my own library. One of the greatest honors of my early musical life was having Mr. Kreines as my collaborative pianist for my sophomore recital. He accompanied me on the first movement of Saint-Saëns’ Violin Concerto No. 3 in B Minor. I’m lucky to still have the audio recording of that performance—our music, forever captured. Another unforgettable memory was listening to Carl Nielsen’s solo violin music: the Preludio & Theme with Variations Op. 48 and Preludio e Presto Op. 52—terrifying in its complexity. He handed me a copy of the score of Preludio e Presto for me to take home, as if I might someday conquer it. We marveled together at how impossibly demanding the violin is—a shared admiration for the craft we both loved. While at UCF, I would call him whenever I was home. We’d talk about the music I was playing and revisit works he had once introduced me to. At the end of each semester, I’d excitedly share my progress—hoping to make him proud. In 2016, I had the privilege of celebrating his 80th birthday at his home, surrounded by friends, students, and colleagues. I’ll never forget him offering me liver—truly the most vile thing I’ve ever tasted! But I ate it anyway, half-believing it might somehow impart his musical genius to me. As life got busier, my visits became less frequent—something I regret. But when I did visit, I would beg him to sit at the piano. Even after he had mostly stopped playing, he obliged. We would sight-read Mozart Violin Sonatad and the Schubert Sonatinas, making it though movement to movement sweating and ashamed, but determined to do my best. I always wanted to show him how I’d improved. He was always brutally honest, but never cruel. He acknowledged growth, always encouraged more. He never let me stop. My last two meetings with Joseph Kreines were in August and September of 2023. I visited him to play my audition excerpts as I prepared for my first professional orchestra auditions—for the Orlando Philharmonic and The Florida Orchestra. I had no idea those would be the final times I’d get to play for him, in his legendary home, surrounded by his recordings and the energy of a lifetime in music. I captured both sessions on my iPad—audio only. No video. But I’m grateful to have those recordings. They are immortal reminders of his voice, his wisdom, and the impact he had on my life as a musician, a violinist, and a future music educator. His love, his encouragement, and his vast knowledge of musical history and its greatest composers—of the most sublime music ever written—will live on in me, always. His legacy lives in the lives of all of us he helped shape. Sometimes, I feel a heavy sadness that I didn’t win an orchestra job while he was alive. I wanted so badly to show him that I could make it. But I know he saw my determination. I know he knew I wouldn’t give up. And when I do win that orchestra job, it will be because of him. Because of his guidance. His honesty. His encouragement. Because of the spark he lit in me all those years ago. Rest in peace, Mr. Kreines. Rest in musical power. Your memory, your legacy, and your life will live on—in me, and in all of us you helped find ourselves through the sublime gift of music.
Kenneth Williams from Jacksonville wrote on August 4, 2025:
RIP Marstro. Since our first collaboration in 1976, whenever I make music, I feel like Mr. Kreines is watching over my shoulder… The sharing of his knowledge and passion helped keep me musically and artistically honest all these years. I was humbled and honored when Joe invited me to conduct on his FBA Hall of Fame concert and when he dedicated his transcription of Mahler 3 Finale to me. I will sorely miss my lifelong mentor and friend. Thanks for all the lessons, Joe! 🎶❤️🎶
Dave Schreier from Orlando wrote on August 4, 2025:
Sad to hear of the Passing of Joe Kreines. I am pretty sure my first experience with Joe was when I was in High School, but it’s a little fuzzy. I know Joe was around UCF a few times when i was in my undergrad, but again - a little fuzzy. I do remember vividly almost every interaction with him when I taught HS. Some contentious interactions, some moments I actually got a compliment. All from a place of caring in a way only Joe could pull off. I learned a lot from Joe over the years. He was gracious with his time and eager to share music with anyone who was ready to learn. I’ll forever be grateful for the time he gave me during my masters when I was figuring out Lincolnshire Posy. I drove to his home, he gave me a full afternoon, and weeks worth of research and years of knowledge packed into a few hours - and conducting lessons on each movement to boot! Joe is a legend in our field and in our state, and his legacy will live on through the hundreds of band directors and thousands of young musicians who interacted with him. Rest easy Joe, and thank you for your everlasting impact.